{"id":66,"date":"2009-05-04T11:16:20","date_gmt":"2009-05-04T18:16:20","guid":{"rendered":"http:\/\/www.miketuritzin.com\/songwriting\/?p=66"},"modified":"2009-05-06T13:02:06","modified_gmt":"2009-05-06T20:02:06","slug":"paul-simon","status":"publish","type":"post","link":"https:\/\/www.miketuritzin.com\/songwriting\/2009\/05\/paul-simon\/","title":{"rendered":"Paul Simon"},"content":{"rendered":"<p>Paul Simon, folk singer-songwriter and partner of Art Garfunkel in Simon and Garfunkel, comments on how he likes to start a song:<\/p>\n<blockquote><p><strong><em>&#8220;You Can Call Me Al&#8221; seems like the perfect example of that combination of the colloquial with enriched language. The chorus is extremely conversational, set against enriched lines like &#8220;angels in the architecture, spinning in infinity&#8230;&#8221;<\/em><\/strong><\/p>\n<p><em>Right. The song starts out very ordinary, almost like a joke. \u00a0Like the structure of a joke cliche: &#8220;There&#8217;s a rabbi, a minister and a priest&#8221;; &#8220;Two Jews walk into a bar&#8221;; &#8220;A man walks down the street.&#8221; That&#8217;s what I was doing there.<\/em><\/p>\n<p><em>Because how you begin a song is one of the hardest things. The first line of a song is <\/em>very<em>\u00a0hard. I always have this image in my mind of a road that goes like this [<\/em>motions with hands to signify a road that gets wider as it opens out<em>] so that the implication is that the directions are pointing <\/em>outward<em>. It&#8217;s like a baseball diamond; there&#8217;s more and more space out here. As opposed to like this. \u00a0[<\/em>Motions an inverted road getting thinner.<em>] Because if it&#8217;s like this, at this point in the song, you&#8217;re out of options.<\/em><\/p>\n<p><em>So you want to have that first line that has a <\/em>lot<em>\u00a0of options, to get you going. And the other things that I try to remember, especially if a song is long, <\/em>you have plenty of time<em>. You don&#8217;t have to kill them, you don&#8217;t have to grab them by the throat with the first line.<\/em><\/p>\n<p><em>In fact, you have to wait for the audience&#8211;they&#8217;re going to sit down, get settled in their seat &#8230; their concentration is <\/em>not even there<em>. You have to be a good host to people&#8217;s attention span. They&#8217;re not going to come in there and work real hard right away. Too many things are coming: the music is coming, the rhythm is coming, all kinds of information that the brain is sorting out.<\/em><\/p>\n<p><em>So give them easy words and easy thoughts, and let it move along, and let the mind get into the groove of it. Especially if it&#8217;s a rhythm tune. And at a certain point, when the brain is loping along easily, then you come up with the first kind of thought or image that&#8217;s different. Because it&#8217;s entertaining at that point. Otherwise people haven&#8217;t settled in yet.<\/em><\/p><\/blockquote>\n<p>Source: <em><a href=\"http:\/\/www.amazon.com\/Songwriters-Songwriting-Expanded-Paul-Zollo\/dp\/0306812657\/\">Songwriters on Songwriting<\/a><\/em>, Paul Zollo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paul Simon, folk singer-songwriter and partner of Art Garfunkel in Simon and Garfunkel, comments on how he likes to start a song: &#8220;You Can Call Me Al&#8221; seems like the perfect example of that combination of the colloquial with enriched language. The chorus is extremely conversational, set against enriched lines like &#8220;angels in the architecture, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-66","post","type-post","status-publish","format-standard","hentry","category-folk-singer-songwriter"],"_links":{"self":[{"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":2,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":106,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/posts\/66\/revisions\/106"}],"wp:attachment":[{"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miketuritzin.com\/songwriting\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}